Jo Malone Can’t Use “Jo Malone”? Welcome to Fashion Law

Jo Malone
Image Source: zara.com

In the beauty industry, a founder’s name often becomes the brand’s most valuable asset. But when that name is sold for commercial use, it may no longer belong to the person who built it. The ongoing dispute between Estée Lauder and British perfumer Jo Malone is a perfect example of why a legal name needs safeguarding and how the legal ownership of a name can outlast the creator behind it.

The Past

Estée Lauder is currently suing British perfumier Jo Malone over her use of her own name in a fragrance collaboration with Zara. The dispute dates back to 1999, when Malone sold her perfume brand, Jo Malone London, to the US cosmetics giant for millions of dollars. The acquisition included not only the brand and its business operations but also the commercial rights to the name “Jo Malone” itself for marketing and branding purposes.

Back then, the sale looked like a textbook win for a founder-led beauty business. But it came with strings attached. Under the deal, Malone gave up the right to use her name commercially, including in the marketing of fragrances, and she was also bound by a non-compete that kept her out of the perfume business for several years. 

Malone later described the sale as “the worst decision of my life,” explaining that the contractual restrictions effectively separated her from the industry she had helped shape. For years after the acquisition, she was unable to commercially use her own name or return to perfume creation in a meaningful way.

When the non-compete clause finally expired in 2011, Malone returned to the fragrance world by launching a new venture of her own called Jo Loves. The brand allowed her to re-enter the market creatively, while carefully avoiding direct use of the Jo Malone trademark in ways that could conflict with Estée Lauder’s rights.

The Present

The present case stems from a fragrance collection that Jo Loves created with Zara. The products’ packaging and promotion reportedly credited the scents to Malone by name, describing her as a CBE and as the founder of Jo Loves. Estée Lauder says that wording crosses a line drawn in the 1999 agreement.

Estée Lauder is suing on three grounds: passing off, trademark infringement and breach of contract. Passing off is the legal rule that protects a business when buyers could be led to think that someone else’s goods come from, or are linked to, it. According to Estée Lauder, using Malone’s name to sell fragrances risks taking advantage of the reputation of Jo Malone London, which it has owned since 1999.

At the heart of the dispute is a question common in founder-led industries: how far can creators go in referencing their own identity after selling trademark rights tied to their name? As legal commentary has noted, “the devil will ultimately lie in the details of the original agreement. What rights were transferred, how the restrictions were drafted, and how broadly they were intended to apply.”

The conflict also reflects a broader pattern across the fashion and beauty sectors. Eponymous brands, those named after their founders, often blur the line between personal identity and corporate ownership. Once brands are sold, the founder’s name may legally become a commercial asset controlled by someone else.

Several designers and beauty entrepreneurs have faced similar dilemmas after selling their companies. While founders may seek to build new ventures around their personal identity, previous agreements can limit how that identity is used in marketing or branding. 

Editorial Opinion

The Estée Lauder and Jo Malone dispute, therefore, highlights a fundamental risk in selling an eponymous brand: the transfer of trademark rights can place lasting restrictions on how founders present themselves in the same industry. 

For lawyers and entrepreneurs alike, the lesson is straightforward but significant. Contracts involving name rights must be drafted with extraordinary precision. Founders should carefully consider whether they are permanently relinquishing the ability to use their own identity commercially and whether any restrictions should be time-limited or narrowly defined. 

As the lawsuit progresses, it will test the limits of how personal identity can be referenced after trademark rights are sold. For an industry built on personal storytelling and founder narratives, that question carries substantial legal and commercial implications.

Ultimately, the case serves as a cautionary reminder that selling a brand name may also mean selling a piece of oneself. Ensuring that contracts clearly define what is being transferred and what remains with the founder may be the difference between a successful exit and decades of legal restraint.

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Vibhuti Sharma

Vibhuti Sharma is a lawyer and brand strategist, working at the intersection of intellectual property, branding, and marketing. With over six years of experience in trademark law and brand protection, she has advised businesses across industries, from pharmaceuticals and FMCG to fashion and hospitality, on building brands that are not just creatively distinctive but legally secure.

Vibhuti brings a multidisciplinary lens to her work, blending legal expertise with a deep understanding of how brands are built, positioned, and perceived in the market. She takes up many roles – working as a Branding and Innovation Consultant with Legal Desire Consulting, as Special Counsel with a Delhi-based law firm, collaborating with marketing agencies to protect their clients’ creative assets, and supporting women-led businesses in navigating the risks around intellectual property and branding.

At the Fashion Law Journal, she curates Labels, Logos & Law – a column that explores how trademarks, fashion, and branding weave together, and why the business of style needs the structure of law.

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